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Lebasque was a founding member of the Salon d’Automne in 1903 with his friend Matisse. Two years later a group of artists exhibited there who included Rouault, Derain, Vuillard, Manguin and Matisse. They were dubbed ‘Les Fauves’ for their stylistic ‘savagery’. The critic Vauxcelles noted that Lebasque’s talent arrived ‘in the midst of the roaring of the unchained beasts’. Like Les Fauves, Lebasque adopted a similar flattening of the picture plane, but blended with a sophisticated, subtle fluidity. He painted domestic scenes with his family as models, still lifes, landscapes, portraits and nudes.
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