Claude Venard intuitively knows that every image is a work of
magic but transported from the primitive cave into the clear light of the
atelier of the Twentieth Century. He knows too, that the artist muct not hink
too self conciously about this, since his only preoccupation must be the
painting in itself.
"
Claude Venard intuitively knows that every image is a work of
magic but transported from the primitive cave into the clear light of the
atelier of the Twentieth Century. He knows too, that the artist muct not hink
too self conciously about this, since his only preoccupation must be the
painting in itself.